The Drama of Worldmaking: Race, Performance, and the Work of Creativity


Friday, March 26, 2021, 1:00pm to 2:30pm



Tan and brown informational flyer featuring photo of the guest speaker. Details of flyer included in the description below or at registration link.

Grounded in critical ethnographic work, Dorinne Kondo’s Worldmaking: Race, Performance and the Work of Creativity theorizes racialized labor, aesthetics, affect, genre, and structural inequality in contemporary theater. The text upends genre, interleaving analysis with vignettes and her full-length play Seamless, s comic drama about the afterlife of the historical trauma of Japanese American incarceration. The book theorizes and performs the ways the arts can remake worlds, from theater worlds to inner, psychic worlds to worldmaking visions for social transformation.